![]() The painter stands in silence before it and studies it closely. The Sacristan kneels and prays in hushed voice.Įnter Cavaradossi from the side door and sees the Sacristan kneelingĬavaradossi mounts the scaffold and uncovers the painting: it is of a Mary Magdalene with great blue eyes and a cascade of golden hair. Puts down the brushes, mounts the scaffold and examines the basket, remarking: Looks toward the scaffold with its painting and is surprised on seeing nobody there Enter the Sacristan from the rear, carrying a bunch of painter's brushes, and muttering loudly as though he were addressing someone.įorever washing! And every brush is filthier With the utmost care, he puts the key in the lock of the Attavanti Chapel, opens the gate, goes in, closes the gate and disappears within. Gives a muffled shout of joy as he picks up the key. Goes up to the Madonna and searches about at the base. Sighs with relief as he notices the column with its basin of Holy Water an the Madonna. ![]() Stops to look around more attentively, calmer now that he recognises the place. A basket.Įnter Angelotti in prisoner's clothes, dishevelled, tired, and shaking with fear, nearly running. ![]() To the left, a painter's scaffold with a large painting covered with cloth. Priests, pupils, choir singers, soldiers, police agents, ![]()
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